By Celia Marshik
Celia Marshik’s learn combines shut readings of modernist and middlebrow works, a historical past of england within the early 20th century, and the insights of factor conception. She makes a speciality of 4 precise different types of contemporary garments: the night dress, the waterproof coat, the fondness costume gown, and secondhand clothes. of their use of those outfits, we see authors negotiate transferring gender roles, weigh the price of individuality in the course of nationwide clash, paintings via mortality, and depict altering type constructions. Marshik’s dynamic comparisons positioned Ulysses in dialog with Rebecca, Punch cartoons, articles in Vogue, and letters from shoppers, illuminating evaluations approximately particular clothing and a common nervousness that individuals have been not more than what they wore. all through her readings, Marshik emphasizes the chronic animation of clothingand objectification of individualsin early-twentieth-century literature and society. She argues that whereas artists and intellectuals celebrated the power of recent participants to remake themselves, quite a number literary works and well known guides issues to a lingering nervousness approximately how political, social, and monetary stipulations persevered to constrain the individual.
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