By Candida Rifkind
While Canadian historians have studied socialism within the Thirties, and even if there were many experiences of yank and British literary leftists from this era, Comrades and Critics is the 1st full-length learn of Canada's Nineteen Thirties literary left. tough dominant perceptions that this decade was once a lull among the extra celebrated modernist corporations of the Nineteen Twenties and Forties, Candida Rifkind argues that the occasions of the Thirties - from mass unemployment, to the dustbowl, to the Spanish Civil struggle - galvanized a new release of writers, prime them to unite inventive perform and political motion in provocative and influential ways.
Analyzing and recuperating much-neglected poems, performs, manifestoes, and documentaries, Rifkind demonstrates how leftist cultural creation got here to dominate English-Canadian literature by means of the tip of the last decade. She can pay specific awareness to the numerous function that ladies writers performed during this interval and examines a various crew of writers that integrated Dorothy Livesay, Anne Marriott, Irene Baird, and Toby Gordon Ryan. those writers negotiated the fight to revolutionize either literature and politics, whereas being topic to the gender hierarchies of socialism and literary modernism that persevered lengthy after the thirties got here to an end.
A groundbreaking learn in Canadian background and literature, Comrades and Critics is a much-needed exam of a huge and nonetheless influential literary period.
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